There is something about good poetry - the careful editing, the exact juxtaposition of one right word next to another, the cadence and rhythm - which makes it so much more evocative than the best prose. I used to be a poetry buff when I was younger - both reading and writing it - and even now find great delight in dipping into it from time to time. Many years ago, i came across this poem by Rabindranath Tagore which I fell in love with. For some reason, most anthologies of his poetry don't have it and when I look for a poem called The Gift, a different poem pops up. I recently re-located it through Google ( Google ki Jai) and had to share it here.
O my love, what gift of mine
Shall I give you this dawn?
A morning song?
But morning does not last long -
The heat of the sun
Wilts like a flower
And songs that tire
Are done.
O friend, when you come to my gate.
At dusk
What is it you ask?
What shall I bring you?
A light?
A lamp from a secret corner of my silent house?
But will you want to take it with you
Down the crowded street?
Alas,
The wind will blow it out.
Whatever gifts are in my power to give you,
Be they flowers,
Be they gems for your neck
How can they please you
If in time they must surely wilt,
Crack,
Lose lustre?
All that my hands can place in yours
Will slip through your fingers
And fall forgotten to the dust
To turn into dust.
Rather,
When you have leisure,
Wander idly through my garden in spring
And let an unknown, hidden flower's scent startle you
Into sudden wondering-
Let that displaced moment
Be my gift.
Or if, as you peer your way down a shady avenue,
Suddenly, spilled
From the thick gathered tresses of evening
A single shivering fleck of sunset-light stops you,
Turns your daydreams to gold,
Let that light be an innocent
Gift.
Truest treasure is fleeting;
It sparkles for a moment, then goes.
It does not tell its name; its tune
Stops us in our tracks, its dance disappears
At the toss of an anklet
I know no way to it-
No hand, nor word can reach it.
Friend, whatever you take of it,
On your own,
Without asking, without knowing, let that
Be yours.
Anything I can give you is trifling -
Be it a flower, or a song.
Then there is Invictus, which has always sent shivers down my spine for its indomitable spirit and inspirational theme. In some ways, it reminds me of Beethoven's 5th Symphony which is my favourite - that is the one in which the composer rails against the malign fates that made him deaf; starts out by rebelling, slips into despair briefly and then thunders back his defiance at the Gods and concludes with the triumph of his will over fate.
The poet, Henley, went through a similar fate - he had TB of the bone and one leg had to be amputated at the knee. Doctors suggested amputating the other one too but he persevered and kept that and lived on till the age of 54. Invictus was written from his hospital bed.
INVICTUS
William Ernest Henley
Out of the night that covers me,
Black as the Pit from pole to pole,
I thank whatever Gods may be
For my unconquerable soul.
In the fell clutch of Circumstance
I have not winced nor cried aloud.
Under the bludgeonings of Chance
My head is bloody, but unbowed.
Beyond this place of wrath and tears
Looms but the Horror of the shade,
And yet the menace of the years
Finds, and shall find me, unafraid.
It matters not how strait the gate,
How charged with punishments the scroll,
I am the master of my fate:
I am the captain of my soul.
Sunday, April 13, 2008
Thursday, April 10, 2008
The Key To Rebecca
We've been doing a lot of WWII at home, what with watching The Battle of Britain and The Battle of the Bulge, and that prompteed me to dig out my well-worn copy of The Key to Rebecca. I always think this and The Eye of the Needle are amongst the best things that Follett has ever done. Many of his later books seem to tread a well-worn territory and wear a been-there-done-that look.
But 'Rebecca is really interesting - believably set in Egypt, which at the time was struggling for independence - and with an interesting cast of characters. Unlike many later and American thriller writers, Follet spends a lot of time detailing the background of each character and actually shows character development through the book - in a way that affects the denouement of the novel, which is always interesting.
'Rebecca is a really interesting spy novel, with its twists and turns and many points of suspense - Hitchcock would have loved filming it, and I can almost imagine it, with Ava Gardner playing Elene. I was reflecting later on the reason why many people are such WWII buffs and came to the conclusion that it was rather mythological in its construct - you knew who the good guys and the baddies were, the baddies got their come-uppance, and there were many Homeric heroes and tragedies enroute to the final victory.
The current situation with terrorists is much harder to engage in - firstly because there's no end in sight. In a way, terrorism can be likened to the Hindu demon, Raktabeejasura. Any time anyone fought him, with each drop of his blood that was spilled, a thousand more Raktabeejasuras sprang up, finally requiring a Bhadra Kali who came, fought him and drank up all his lifeblood.
Am tempted to read something comforting again, like Eye of the Needle!
But 'Rebecca is really interesting - believably set in Egypt, which at the time was struggling for independence - and with an interesting cast of characters. Unlike many later and American thriller writers, Follet spends a lot of time detailing the background of each character and actually shows character development through the book - in a way that affects the denouement of the novel, which is always interesting.
'Rebecca is a really interesting spy novel, with its twists and turns and many points of suspense - Hitchcock would have loved filming it, and I can almost imagine it, with Ava Gardner playing Elene. I was reflecting later on the reason why many people are such WWII buffs and came to the conclusion that it was rather mythological in its construct - you knew who the good guys and the baddies were, the baddies got their come-uppance, and there were many Homeric heroes and tragedies enroute to the final victory.
The current situation with terrorists is much harder to engage in - firstly because there's no end in sight. In a way, terrorism can be likened to the Hindu demon, Raktabeejasura. Any time anyone fought him, with each drop of his blood that was spilled, a thousand more Raktabeejasuras sprang up, finally requiring a Bhadra Kali who came, fought him and drank up all his lifeblood.
Am tempted to read something comforting again, like Eye of the Needle!
Labels:
Hindu demon,
kali,
Ken Follett,
Terrorism,
The Key to Rebecca
Monday, March 17, 2008
Dorothy L Sayers
I've been doing an intense course of DLS lately. For some reason, Wimsey never made it to my list of favourite detectives while growing up, though Holmes, Miss Marple and Hercule Poirot all found a place. I discovered DLS when I had started working, and immensely enjoyed her style of writing - a very rich, layered and erudite version of detective fiction. Most of the other authors, though well-versed in the classics, didn't weave them into the story as much as DLS did.
And DLS spends a considerable amount of time painting a portrait of her flawed hero and heroine. Wimsey belongs to the Bertie Wooster class of hero, upperclass, rich, titled and all too prone to twittering. But of course, he's a lot more intelligent than poor Bertie, and not only works to manage his inheritance and income, but also at detecting and has serious hobbies like collecting first editions. A host of titled acquaintances and relatives make their way through the books.
Wimsey, like Bertie, is ably supported by a Man Friday, Bunter, though Bunter is less brainy than Jeeves, since Wimsey is bright himself. Bunter also 'demeans' himself by doing a variety of things that I'm sure Jeeves would never deign to, like taking photographs of assorted corpses, fingerprinting and engaging in romantic interludes with a variety of domestics to dig out information about each mystery.
There is an air of seriousness and tragedy that hangs about Wimsey, who has also suffered from nerve shock after WWI. Unlike the typical detective, Wimsey stays involved way after the murderer has been unmasked, and suffers agonies of self-doubt over his self-appointed role as the arm of justice. The murder victim, like in many other detective stories, is often an unlikeable or plain wicked creature, and the murder is almost 'asked for', which is what plants the seeds of doubt. Unlike Poirot, though Wimsey too does 'not approve of murder', he sees the world in shades of grey.
Gaudy Night, set in Oxford in a female college, is a rather detailed and interesting study of life in a Women's college, in a day and age when it was still not that common for women to study beyond school. One of the books I find most interesting is Strong Poison, which is where Peter Wimsey meets his nemesis - his future wife, Harriet Vane, who's been accused of poisoning her lover. A most unusual heroine for those times, one would think.
Reading a Sayers is a serious occupation, because each book has so many allusions, seemingly thrown away in a random bit of dialogue or prose, and unless one works out the source and the full context, the allusions don't make sense. It's almost like turning detective yourself. Sayers is a good author for those who enjoy detective fiction but prefer it to be intricate and laced with detail as well as heavy on atmosphere.
And DLS spends a considerable amount of time painting a portrait of her flawed hero and heroine. Wimsey belongs to the Bertie Wooster class of hero, upperclass, rich, titled and all too prone to twittering. But of course, he's a lot more intelligent than poor Bertie, and not only works to manage his inheritance and income, but also at detecting and has serious hobbies like collecting first editions. A host of titled acquaintances and relatives make their way through the books.
Wimsey, like Bertie, is ably supported by a Man Friday, Bunter, though Bunter is less brainy than Jeeves, since Wimsey is bright himself. Bunter also 'demeans' himself by doing a variety of things that I'm sure Jeeves would never deign to, like taking photographs of assorted corpses, fingerprinting and engaging in romantic interludes with a variety of domestics to dig out information about each mystery.
There is an air of seriousness and tragedy that hangs about Wimsey, who has also suffered from nerve shock after WWI. Unlike the typical detective, Wimsey stays involved way after the murderer has been unmasked, and suffers agonies of self-doubt over his self-appointed role as the arm of justice. The murder victim, like in many other detective stories, is often an unlikeable or plain wicked creature, and the murder is almost 'asked for', which is what plants the seeds of doubt. Unlike Poirot, though Wimsey too does 'not approve of murder', he sees the world in shades of grey.
Gaudy Night, set in Oxford in a female college, is a rather detailed and interesting study of life in a Women's college, in a day and age when it was still not that common for women to study beyond school. One of the books I find most interesting is Strong Poison, which is where Peter Wimsey meets his nemesis - his future wife, Harriet Vane, who's been accused of poisoning her lover. A most unusual heroine for those times, one would think.
Reading a Sayers is a serious occupation, because each book has so many allusions, seemingly thrown away in a random bit of dialogue or prose, and unless one works out the source and the full context, the allusions don't make sense. It's almost like turning detective yourself. Sayers is a good author for those who enjoy detective fiction but prefer it to be intricate and laced with detail as well as heavy on atmosphere.
Thursday, March 13, 2008
Books for kids
By now this is becoming a familiar theme on this blog. But the good news - my son has started reading. Of course, like the lazy bum he is, he starts out by protesting that the words are too hard but when I refuse to budge and read to him, he starts off and has read a whole Reading Level 2 book about Lions, and started on the Ladybird edition of Wizard of Oz.
One of the books I rediscovered recently and that we both love reading together is a series called Amelia Bedelia. It's about a young housekeeper named Amelia, who always manages to misunderstand the instructions she is given. For instance, when she is asked to separate the eggs, she carefully puts the 6 eggs in the basket at different corners of the room. When she is told to baste the chicken, she whips out her needle and thread. And when she plays baseball, she is funnier than ever - she runs all the way to her house, when told to take a home run, and argues that stealing is wrong when told to steal a base.
The books are easy reading and loads of fun but they also help build vocabulary and are a great introduction to synonyms and homonyms as well as colloquialisms. I'd recommend them to any beginning reader since the stories are so interesting it keeps kids engaged and wanting to read more.
Cross-posted at Rainbow days
Friday, February 29, 2008
The TamBrahm Bride
The title intrigued me as well as the theme which is about a typical arranged marriage among TamBrahms, so I hunted this book down at Landmark and read it last week. Overall, it is a good description of the arranged marriage process - the 'viewing of the girl', the ritual of making her serve tea or coffee, and the stupid questions asked, e.g. can she sing? Who cares - and how's it going to affect her marriage if she's tone deaf? The equation between the Boy's side who are to be venerated, and the girl's side, who are always meant to be eager to please. The horoscope-matching business - as if some random matching of two horoscopes can guarantee peace and felicity in a marital home. The focus on the looks and complexion of the girl, while the boy is only to be evaluated on his education and job...It was a great capture of all of these.
However, I did feel that characterisation suffered at the hands of the incidents needed to make the plot move on. One didn't really end up getting a good understanding into the heroine or her family and certainly there was no character development. I find myself wondering whether that would be the case in real life as well, i.e. with someone who's not only agreed but happy to go through the arranged process, would the person really change while going through it? I'm not really sure of the answer, especially because anyone I've met who's had an arranged marriage has pretty much only met 1 or 2 people before deciding on it, whereas the heroine here meets some vast number of eligibles. Plus the epilogue was really not required - it was quite pointless.
More interesting than this was Mahashweta, a book by Sudha Murty ( yes, the Narayana Murty one). it's about the problem of Leucoderma and how it can impact people's lives, how little knowledge or understanding anyone has of the issues. The heroine has a love marriage with someone from a much richer family and is tolerated by her MIL but later, when she develops Leucoderma, she is shunned by everyone including her parents and her husband. She eventually goes on to settle in a cosmopolitan city and comes to accept what has happened as for the best. I had no idea that this medical ailment was considered such a big deal and that people with it were treated so badly, so it was a real eye-opener.
The book is also very evocative of the nuances of daily life in a small town and the big city, and using simple language, charts the graph of the heroine's life. It was a great read, but my only complaint is that at the end, when the heroine meets someone who wants to marry her regardless of her problem, she says she has given up on that side of life. I would have been fine if the protagonist had said she wasn't in love with the guy but to have given up on a normal married life because of her past seemed defeatist to me.
However, I did feel that characterisation suffered at the hands of the incidents needed to make the plot move on. One didn't really end up getting a good understanding into the heroine or her family and certainly there was no character development. I find myself wondering whether that would be the case in real life as well, i.e. with someone who's not only agreed but happy to go through the arranged process, would the person really change while going through it? I'm not really sure of the answer, especially because anyone I've met who's had an arranged marriage has pretty much only met 1 or 2 people before deciding on it, whereas the heroine here meets some vast number of eligibles. Plus the epilogue was really not required - it was quite pointless.
More interesting than this was Mahashweta, a book by Sudha Murty ( yes, the Narayana Murty one). it's about the problem of Leucoderma and how it can impact people's lives, how little knowledge or understanding anyone has of the issues. The heroine has a love marriage with someone from a much richer family and is tolerated by her MIL but later, when she develops Leucoderma, she is shunned by everyone including her parents and her husband. She eventually goes on to settle in a cosmopolitan city and comes to accept what has happened as for the best. I had no idea that this medical ailment was considered such a big deal and that people with it were treated so badly, so it was a real eye-opener.
The book is also very evocative of the nuances of daily life in a small town and the big city, and using simple language, charts the graph of the heroine's life. It was a great read, but my only complaint is that at the end, when the heroine meets someone who wants to marry her regardless of her problem, she says she has given up on that side of life. I would have been fine if the protagonist had said she wasn't in love with the guy but to have given up on a normal married life because of her past seemed defeatist to me.
Wednesday, February 27, 2008
Books I read last week
I read a mish-mash of books last week, ranging from historical biographies to a fantasy-chick-lit. First, the Fantasy chick-lit...was a book called If you coulod see me now by Cecelia Ahern, a 25 year old author who's written 4 books already and whose book PS I love you has just been released as a major Hollywood film. I love a certain genre of fantasy book, where the wisdom is contained in simple little nuggets, like The Little Prince, which is far and away amongst my favourites. Cecelia Ahern's book while not quite as exalted is in the same genre. It is an intensely likeable book full of little incidents and windows upon what really matters in life. It is absorbingly written and one starts feeling for the main characters immediately. It is a book with whimsy, fun and frolic and yet with a message, and is a quick read. It is certainly one I'll be picking up again whenever I need a pick-me-up sort of book.
The historicals were mainly Jean Plaidy's - Victoria Victorious about Queen Victoria, written from a first-person perspective, The Haunted Sisters about the daughters of James II( son of Charles I of England who was beheaded by the Roundheads), Myself my Enemy, about Henrietta Maria, the wife of Charles I and in some ways a key instrument in causing his downfall by her insistence on Catholicism, The Goldsmith's Wife about Edward IV's mistress Jane Shore and The Other Boleyn Girl by Philippa Gregory. They were all fascinating reads, though after going through them, I find myself all the more thankful that I'm a simple member of the proletariat rather than an aristocrat - they just had too many things to live up to and too many expectations imposed on them.
Victoria comes across as not a very shrewd ruler, led hither and thither by her personal likes and dislikes of the ruling Prime Minister of the day and content to listen to her husband whom she elevated into the status of a Saint who could do no wrong. She was a lively, fun-loving person with a temper until Albert came along and with his rather priggish attitudes towards life, made her also more and more prissy until she was unable to take a joke, which may explain why the phrase "We are not amused" is the chief one associated with her. Victoria also had little or no grasp of politics or policies, as per the book, and was content to either listen to Albert and her Prime Ministers on most state matters. Even on issues like the fact that Victoria's mother had tried to usurp her place in terms of importance and forced her to be rude to the King and Queen of England had to be swept under the carpet and Victoria's own resentments sat on because Albert was shocked that Victoria did not think everything her mother did was perfect.
She was also so completely in thrall of Albert that she didn't even bother to protect her own children from his sometimes harsh behaviour. Maybe it's because I'm a mother myself, but I found it impossible to understand why she let Albert treat the Prince of Wales so harshly - any tutor or governess the PoW ever liked was sent or taken away from him and harsher and harsher ones found so they could drive learning into his head. His powers of charm, liveliness and ability to love and protect his brothers and sisters were ignored or belittled, and anyone who spoke in favour of the PoW was promptly banished, while Albert continued to run him down and punish him with both rod and scoldings and harsh treatment. No wonder the PoW ran wild when he grew up! Frankly, Albert does come across as a rather dislikeable gentleman.
The Haunted Sisters and Myself My Enemy are about the Stuart reign. The Haunted Sisters was a rather shocking book in that it was the story of King Lear all over again - the two daughters of James II turned against him, mainly for their own ambition and sided with their husbands or friends who had personal ambitions. The two sisters too turned against each other both because they had advisors whose gains lay in the enmity of the two sisters and because they both nursed ambitions for the throne of England. Henrietta Maria's story is yet another proof, if I needed one, that anyone who becomes too dogmatic about religion and insists their own way is the only way is bound to cause trouble for themselves and for other people. One of the reasons I like being Hindu is because one of its basic tenets is that there are many roads all leading to God and that neither is better or worse. Catholicism has a lot to answer for in its dogmatism, from the Inquisition to the attempts to proselytise, to the disdain for other religions and the way the church reacted to Hitler's policies. It's a bit ironic that anyone with wide tastes is said to have 'Catholic' tastes when it's amongst the least embracing religions.
The Goldsmith's Wife was a glimpse of the Plantagenet period at its height, when Edward IV ruled. There was witchcraft and treachery and strife amongst the brothers, leading to a possible fratricide by Edward of his brother Clarence who was supposed to have died in a butt of Malmsey. Jean Plaidy believes in the anti-Tudor theory that the sons of Edward IV were done away with by Henry VIIth, rather than Richard who certainly thought they were royal bastards but loved them as his nephews. It's always been one of the fascinating mysteries of English history and of the Tower of London, as the Beefeaters will tell you when you visit. It makes me want to re-read another book written on this subject by a detective fiction author, Josephine Tey, called A Murder in Time, which had a fascinating theory, if I recall correctly. Interestingly, in this book, Plaidy makes the point that Richard was the last English King - and if you think about it, it's true - the Tudors were Welsh, the Stuarts Scottish and the Hanovers German. So Britain had its last English king way back in the 1500s.
The Other Boleyn Girl was brilliantly written and has made me curious about more books by Philippa Gregory. It was a very detailed portrayal of life at King Henry the 8th's court, with its scheming, jockeying for power, ambitions and the making of a tyrant who thought any of his desires was justified because it was 'the will of God'. I had never thought much about Mary Boleyn, Henry's mistress before Anne who eventually married him. The depths to which ambition can take you and the description of the long, long courtship dance which Anne had to perform to hold the King's interest long enough to marry him and the barren fruits of that marriage are incredibly well described and too me away into a world where I could heard and see the swishing silks and velvets, furtive whispers behind the doorways and the singing and dancing of the royal court. I hope the film releases here soon - if it's a good adaptation of the book, it should be a spectacular film, though I'm not sure about Eric Bana playing Henry the VIIIth - he looks too thoughtful and intelligent, whereas Henry was a sensual, selfish man given to self indulgence rather than reflection.
If you like historical fiction, read the Plaidys. If you're in the mood for high drama and intrigue, read The Other Boleyn Girl. And if you're in the mood for something fun and whimsical, go for If You Could See Me Now.
The historicals were mainly Jean Plaidy's - Victoria Victorious about Queen Victoria, written from a first-person perspective, The Haunted Sisters about the daughters of James II( son of Charles I of England who was beheaded by the Roundheads), Myself my Enemy, about Henrietta Maria, the wife of Charles I and in some ways a key instrument in causing his downfall by her insistence on Catholicism, The Goldsmith's Wife about Edward IV's mistress Jane Shore and The Other Boleyn Girl by Philippa Gregory. They were all fascinating reads, though after going through them, I find myself all the more thankful that I'm a simple member of the proletariat rather than an aristocrat - they just had too many things to live up to and too many expectations imposed on them.
Victoria comes across as not a very shrewd ruler, led hither and thither by her personal likes and dislikes of the ruling Prime Minister of the day and content to listen to her husband whom she elevated into the status of a Saint who could do no wrong. She was a lively, fun-loving person with a temper until Albert came along and with his rather priggish attitudes towards life, made her also more and more prissy until she was unable to take a joke, which may explain why the phrase "We are not amused" is the chief one associated with her. Victoria also had little or no grasp of politics or policies, as per the book, and was content to either listen to Albert and her Prime Ministers on most state matters. Even on issues like the fact that Victoria's mother had tried to usurp her place in terms of importance and forced her to be rude to the King and Queen of England had to be swept under the carpet and Victoria's own resentments sat on because Albert was shocked that Victoria did not think everything her mother did was perfect.
She was also so completely in thrall of Albert that she didn't even bother to protect her own children from his sometimes harsh behaviour. Maybe it's because I'm a mother myself, but I found it impossible to understand why she let Albert treat the Prince of Wales so harshly - any tutor or governess the PoW ever liked was sent or taken away from him and harsher and harsher ones found so they could drive learning into his head. His powers of charm, liveliness and ability to love and protect his brothers and sisters were ignored or belittled, and anyone who spoke in favour of the PoW was promptly banished, while Albert continued to run him down and punish him with both rod and scoldings and harsh treatment. No wonder the PoW ran wild when he grew up! Frankly, Albert does come across as a rather dislikeable gentleman.
The Haunted Sisters and Myself My Enemy are about the Stuart reign. The Haunted Sisters was a rather shocking book in that it was the story of King Lear all over again - the two daughters of James II turned against him, mainly for their own ambition and sided with their husbands or friends who had personal ambitions. The two sisters too turned against each other both because they had advisors whose gains lay in the enmity of the two sisters and because they both nursed ambitions for the throne of England. Henrietta Maria's story is yet another proof, if I needed one, that anyone who becomes too dogmatic about religion and insists their own way is the only way is bound to cause trouble for themselves and for other people. One of the reasons I like being Hindu is because one of its basic tenets is that there are many roads all leading to God and that neither is better or worse. Catholicism has a lot to answer for in its dogmatism, from the Inquisition to the attempts to proselytise, to the disdain for other religions and the way the church reacted to Hitler's policies. It's a bit ironic that anyone with wide tastes is said to have 'Catholic' tastes when it's amongst the least embracing religions.
The Goldsmith's Wife was a glimpse of the Plantagenet period at its height, when Edward IV ruled. There was witchcraft and treachery and strife amongst the brothers, leading to a possible fratricide by Edward of his brother Clarence who was supposed to have died in a butt of Malmsey. Jean Plaidy believes in the anti-Tudor theory that the sons of Edward IV were done away with by Henry VIIth, rather than Richard who certainly thought they were royal bastards but loved them as his nephews. It's always been one of the fascinating mysteries of English history and of the Tower of London, as the Beefeaters will tell you when you visit. It makes me want to re-read another book written on this subject by a detective fiction author, Josephine Tey, called A Murder in Time, which had a fascinating theory, if I recall correctly. Interestingly, in this book, Plaidy makes the point that Richard was the last English King - and if you think about it, it's true - the Tudors were Welsh, the Stuarts Scottish and the Hanovers German. So Britain had its last English king way back in the 1500s.
The Other Boleyn Girl was brilliantly written and has made me curious about more books by Philippa Gregory. It was a very detailed portrayal of life at King Henry the 8th's court, with its scheming, jockeying for power, ambitions and the making of a tyrant who thought any of his desires was justified because it was 'the will of God'. I had never thought much about Mary Boleyn, Henry's mistress before Anne who eventually married him. The depths to which ambition can take you and the description of the long, long courtship dance which Anne had to perform to hold the King's interest long enough to marry him and the barren fruits of that marriage are incredibly well described and too me away into a world where I could heard and see the swishing silks and velvets, furtive whispers behind the doorways and the singing and dancing of the royal court. I hope the film releases here soon - if it's a good adaptation of the book, it should be a spectacular film, though I'm not sure about Eric Bana playing Henry the VIIIth - he looks too thoughtful and intelligent, whereas Henry was a sensual, selfish man given to self indulgence rather than reflection.
If you like historical fiction, read the Plaidys. If you're in the mood for high drama and intrigue, read The Other Boleyn Girl. And if you're in the mood for something fun and whimsical, go for If You Could See Me Now.
Labels:
book reviews,
Cecelia Ahern,
Jean Plaidy,
Philippa Gregory
Thursday, February 7, 2008
Indian Cuisine Book - Updated review
Haven't had much time or mindspace for cooking lately, with Puddi's illness and hospitalisation. But she's fine now, back to being the family dog ( i.e. begging for scraps off everyone's plate, no matter what they're eating!) and her usual zany self. I celebrated her return home by brewing up a pea soup with spinach greens sauteed with garlic, but haven't done much else.
But I came across this interesting book which I started reading while nursing Puddi in hospital. It's by an Indian food writer settled in the US ( Chitrita Banerji) who specialises in Bengali food but was on a self-imposed quest to find out more about the origins of the different styles of cooking in India. Her chapter on Bengali food, especially that served at weddings made me slurp deliriously, even though I'm vegetarian. I of course immediately turned to the chapter on Karnataka food which I admit was a bit of a let-down because it hardly mentioned the varied types of cuisine and was not informed or knowledgeable enough, in my opinion.
Sadly, the book mysteriously vanished after I had completed these two chapters and I could neither find it in the hospital room or at home so I assume it's vapourised into that great library in the sky. I'll have to buy myself a new copy because I found the little that I dipped into quite intriguing...
Finally found it in a mixed bag at home and finished it. I found it a little disappointing, to be honest, because while the quality of writing is good and the descriptions evocative, the author has a tendency to relate everything back to Bengali cooking, which really was not the point. Even when she goes to have Karnataka cuisine in Bangalore, she spends more time marveling at a Bengali sweet shop which has been there for a while. It was an interesting one time read but certainly not a re-reading type of book. for that, I prefer Madhur Jaffrey's Tastes of India, where she covers different regions in great detail, telling us about their cooking, the evolution of those styles and then shares recipes from people who are from those regions, so that they are authentic.
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